SCIENTIFIC
PUBLICATIONS: REFEREED ARTICLES AND REFEREED LETTERS IN SCIENTIFIC JOURNALS
1.
S. Dubnov, Naftali Tishby, Dalia Cohen,
"Hearing Beyond The Spectrum", Journal of New Music Research, Vol.
25, 1996.
2.
S. Dubnov, Naftali Tishby, Dalia Cohen,
"Polyspectra as Measures of Sound Texture and Timbre", Journal of New
Music Research, Vol. 26, 1997.
3.
D. Cohen and S. Dubnov, "Gestalt
Phenomena in Musical Texture", in "Music, Gestalt and
Computing", Marc Leman (ed.), series of Lecture Notes in Artificial
Intelligence, Springer Verlag, 1997.
4.
F. Pachet and S. Dubnov,
"Surprising Harmonies", International Journal of Computing
Anticipatory Systems, Volume 4, 1998.
5.
S. Dubnov
and N. Tishby, "Gaussianite Non-Linearite des Signaux: Application aux
Sons Musicaux", in "Recherches et Applications en Informatique
Musicale", Vol. 1, M. Chemillier, F. Pachet ed., Editions HERMES, 1998.
6.
S. Dubnov, "Stylistic Randomness:
about composing Ntrope Suite", Journal of Organized Sound, Vol. 4, No. 2,
2000.
7.
S. Dubnov, R. El-Yaniv, Y. Gdalyahu, E.
Schneidman and N. Tishby, "A New Nonparametric Pairwise Clustering
Algorithm", Machine Learning Journal, 47, pp.35-61, 2002.
8.
S. Dubnov and G. Assayag,
"Universal Prediction Applied to Music Generation with Style", in
Mathematics and Music, Springer-Verlag, 2002.
9.
S. Dubnov, Z. Bar-Joseph, R. El-Yaniv,
D. Lischinski and M. Werman , "Synthesizing Sound Textures through Wavelet
Tree Learning", IEEE Computer Graphics and Applications, 22 (4), pp.
38-48, August 2002.
10. S.
Dubnov and X. Rodet, "Investigation of Phase Coupling Phenomena in
Sustained Portion of Musical Instruments Sound", Journal of Acoustic
Society of America, 112 (6), December 2002.
11.
P. Herrera-Boyer, G. Peeters, S.
Dubnov, "Automatic Classification of Musical Instrument Sounds",
Journal of New Music Research 2003, Vol. 32, No. 1, pp. 3–21.
12. S.
Dubnov, G. Assayag, O. Lartillot, G. Bejerano, "Using Machine-Learning
Methods for Musical Style Modeling", IEEE Computers, 36 (10), pp. 73-80,
Oct. 2003.
13.
J. Tabrikian, S. Dubnov, Y. Dikalov,
“Maximum a-posteriori probability pitch tracking in noisy environments using
harmonic model”, IEEE Transactions on Speech and Audio Processing, 12 (1), pp.
76-87, Jan. 2004.
14. S.
Dubnov, "Generalization of Spectral Flatness Measure for Non-Gaussian
Processes", IEEE Signal Processing Letters, 11 (8), pp. 698 -
701, Aug. 2004.
15. G.
Assayag, S. Dubnov, “Using Factor Oracles for Machine Improvisation”, Soft
Computing 8, pp. 1432-7643, September
2004.
16. J.
Tabrikian, S. Dubnov. E. Fisher, "Generalized Likelihood Ratio Test for Voiced-Unvoiced
Decision in Noisy Speech Using the Harmonic Model", IEEE Transactions on Audio, Speech and
Language Processing, Volume 14, Issue 2, March 2006, Page(s): 502 –
510.
17. S.
Dubnov, S. McAdams, R. Reynolds, “Structural and Affective Aspects of Music
from Statistical Audio Signal Analysis”, to appear in Journal of the American
Society for Information Science and Technology, Special Issue on Style, 2006.
18. S.
Dubnov, “Spectral Anticipations”, to appear in Computer Music Journal, MIT
Press, Summer 2006.
19. S.Dubnov,
J.Tabrikian, M.Arnon-Targan, " Speech Source Separation in Convolutive
Environments Using Space-Time-Frequency Analysis", to appear in EURASIP
Journal on Applied Signal Processing, 2006.
MUSIC
PUBLICATIONS AND ART INSTALLATIONS:
(a) Selected Works internationally published or presented in
major events or festivals
1.
"127 Digits for piano and MAX
program'' presented at Journees d'Informatique Musicale, Caen, France, 1996.
2.
Installation "Kinor David'' with
Lior Dubnov and Avi Elbaz, presented at ICMC96, Hong-Kong, 1996.
3.
Electronic Preludes presented at
"The Sound of Israel" festival, Hochschule Der Kuenste, Berlin, May
1998.
4.
Installation "Cahiers de
Voyages" with Augustine Lenoir, Lior Dubnov and Xavier Rodet, presented at
the Biennale for Contemporary Music, Tel-Aviv Museum, March 1998 and at Portes
Ouvertes, IRCAM, Centre Pompidou, Paris, June 1998.
5.
NTrope Suite for Recorders (algorithmic
composition), Biennale of
Contemporary Music, Tel-Aviv Museum, 1998.
6.
Installation "Reflexion Sons et
Lumiere" (Sound and Light Reflections) with Klara Kuchta, presented at the
International Symmetry Conference ISIS, Haifa, September 1999.
7.
Suite for Organ, in "Organ Music
From Israel", Music CD published by MDG Germany, 2001. (available at
amazon.com).
8.
Memex for solo Violin, presented at
CALIT2 inauguration concert, UCSD, 2006
(b) Selected Works presented in major
events or festivals in Israel or recorded for National Israeli Radio
("Kol-HaMusica")
1.
"Fantasy for Piano", recorded
and radio translated at the Jerusalem Artists Week, 1993.
2.
"Aiech" for Soprano, Viola,
Cello and Cemballo, radio recorded and translated at finals at the Lieberson
Competition, 1995.
3.
"Recorder Quartet" for
Recorder, Violin, Cello and Piano, Commissioned by the Ensemble TexturA,
recorded and radio translated at "Etnahta" 1996.
4.
"Modes of Discourse" for Midi
Wind Player and MAX Interactive Computer System Commissioned by the Jerusalem
Institute of Contemporary Music, performed at the Jerusalem Festival, 1996.
5.
"Me-Oh" for Voice, ensemble
and live electronics, Commissioned by the Tarshish Ensemble, performed at the
Jerusalem Festival, 1996.
6.
"Suite for Organ", radio
translated 2002.
PUBLISHED
SCIENTIFIC REPORTS AND TECHNICAL PAPERS
1.
S. Shalev, S. Dubnov, "Dynamic
Sound Descriptors: Matching between Sound and Higher Level Features", WP
2.1.7.4 CUIDADO Report, Dec. 2001.
2.
S. Dubnov, "HOS for instrumental
and sound FX matching", WP 2.1.0.9 CUIDADO Report, February 2002.
3.
A. Ben-Shalom, S. Dubnov, "ICA
and ISA signal analysis", WP 2.1.3.2 CUIDADO Report, March 2002.
4.
J. Tabrikian and S. Dubnov,
“Unsupervised Speaker Segmentation”, Prepared for Nice Systems under Magneton
Project, 2004.
CHAPTERS
IN COLLECTIVE VOLUMES - CONFERENCE PROCEEDINGS
1.
S. Dubnov, N. Tishby and D. Cohen, Bispectrum
of Musical Sounds: an Auditory Perspective,
Proceedings of the X Colloquium on Musical Informatics, Milano, 1993.
2.
S. Dubnov, N. Tishby, “Acoustic
Spectral Estimation using Higher Order Statistics”, Proceedings of the 12-th
International Conference on Pattern Recognition, Jerusalem, 1994.
3.
S. Dubnov, D. Cohen and N. Wagner, “Uncertainty
in Distinguishing between Structure and Ornamentation in Music”,
Proceedings of the International Fuzzy Systems Association Conference, Brazil,
1995.
4.
S. Dubnov, N. Tishby, “Clustering of
Musical Sounds using Polyspectral Distance Measures”, Proceedings of the
International Computer Music Conference, Banff, 1995.
5.
S. Dubnov, N. Tishby, “Testing
For Gaussianity and Non Linearity In The Sustained Portion Of Musical Sounds”, Proceedings
of the Journees Informatique Musicale, May 1996
6.
S. Dubnov, N. Tishby and D. Cohen,
“Influence Of Frequency Modulating Jitter On Higher Order Moments Of Sound
Residual With Applications To Synthesis and Classification”, Proceedings of
International Computer Music Conference, Hong-Kong, 1996.
7.
S. Dubnov, "Emotion - Is it
measurable? ", KANSEI - The Technology of Emotion, AIMI International
Workshop, Genova 1997
8.
J. B. Rovan, Marcelo M. Wanderley, S.
Dubnov and P. Depalle, "Instrumental Gestural Mapping Strategies as
Expressivity Determinants in Computer Music Performance", KANSEI - The
Technology of Emotion, AIMI International Workshop, Genova, 1997.
9.
S. Dubnov and X. Rodet, "Statistical
Modeling of Sound Aperiodicities", Proceedings of International Computer
Music Conference, Tessaloniki, 1997
10. S.
Dubnov and N. Tishby, "Analysis of Sound Textures in Musical and Machine
Sounds by means of Higher Order Statistical Features", Proceedings of the
International Conference on Acoustics Speech and Signal Processing, Munich,
1997.
11. D.
Cohen, S. Dubnov, "Order/Disorder as a Determinant of Musical Style",
Proceedings of International Symmetry Conference, Haifa, 1998.
12. S.
Dubnov, R. El-Yaniv and G. Assayag, "Universal Classification applied to
Musical Sequences", Proceedings of International Computer Music
Conference, Michigan, 1998
13. S.
Dubnov and X. Rodet, "Timbre Recognition with Combined Stationary and
Temporal Features", Proceedings of International Computer Music
Conference, Michigan, 1998
14. S.
Dubnov and X. Rodet, "Study of Spectro-Temporal Parameters in Musical
Performance for Expressive Sound Synthesis", Proceedings of IEEE
International Conference on Systems, Man, and Cybernetics, California, 1998
15. Z.
Bar-Joseph, D. Lischinski, M. Werman , R. El-Yaniv, S. Dubnov , "Granular
Synthesis of Sound Textures using Statistical Learning", Proceedings of
International Computer Music Conference, Beijing, 1999.
16. G.
Assayag, S. Dubnov, O. Delerue, "Guessing the Composer's Mind: Applying
Universal Prediction to Musical Style", Proceedings of International
Computer Music Conference, Beijing, 1999.
17. S.
Dubnov, "Higher Order Statistical Estimation of Sinusoidality with
Applications for Quality Coding of Musical Instruments", Proceedings of
the 17th AES International Convention, Florence 1999.
18. S.
Dubnov, "HOS Method for Phase Characterization in Sinusoidal Models",
Proceedings of IEEE Signal Processing Workshop on Higher Order Statistics,
Caesarea 1999.
19. S.
Dubnov, G. Assayag, G. Bejerano, O. Lartillot "Automatic modeling of
musical style", Proceedings of the International Computer Music
Conference, ICMC 2001, Havana, Cuba.
20. J.
Tabrikian, S. Dubnov and Y. Dickalov, "Speech Enhancement by Harmonic
Modeling via MAP Pitch Tracking", Proceedings of International Conference
on Acoustics Speech and Signal Processing, 2002
21. S.
Shalev, S. Dubnov, Y. Singer, N. Friedman, "Robust Temporal and Spectral
Modeling for Query by Melody", Proceedings of SIGIR, 2002.
22. S.
Dubnov, "Improved Harmonic+Noise Model for Vocal and Musical Instrument
Sounds", Proceedings of 22nd International Conference of Audio Engineering
Society, 2002
23. S.
Dubnov, "Extracting Sound Objects by Independent Subspace Analysis",
Proceedings of 22nd International Conference of Audio Engineering Society,
2002.
24. Ben-Shalom,
S. Dubnov, M. Werman, "Improved Low Bitrate Audio Compression Using ICA
without Psychoacoustic Modeling", Proceedings of ICASSP 2003.
25. E.
Fisher, J. Tabrikian, and S. Dubnov, " Generalized likelihood ratio test
for voiced/unvoiced decision using the harmonic plus noise model," (ICASSP
'03). 2003 IEEE International Conference on Acoustics, Speech, and Signal
Processing, Volume 1, 6-10 April 2003 Page(s):I-440 - I-443 vol.1
26. Ben-Shalom,
S. Dubnov, M. Werman, "Study of Mutual Information in Psychoacoustic
Compression with Application for Improved Low Bit-Rate Audio Coding",
Proceedings of ICA 2003
27. S.
Dubnov, "Non-Gaussian Source-Filter and Independent Components
Generalizations of Spectral Flatness Measure", Proceedings of ICA 2003.
28. S.
Dubnov, A. Ben-Shalom, "Review of ICA and HOS Methods for Query by
Similarity of Natural Sounds and Sound Effects", invited paper for ICA
2003.
29. S.
Dubnov, A. Ben-Shalom, “Information Redundancy as a Measure of Mood in Film Music”,
IJCAI 2003 Workshop DOING IT WITH STYLE:
Computational Approaches to Style Analysis and Synthesis, 2003, Acapulco, Mexico
30.
S. Dubnov, J. Tabrikian, M.
Arnon-Targan, “A Method for Directionally-Disjoint Source Separation in
Convolutive Environment”, Proceedings of International Conference on Acoustics
Speech and Signal Processing, Vol. 5, pp. 489 – 492, May 2004, Montreal, Canada
31. S.
Dubnov, S. McAdams, R. Reynolds, “Predicting Human Reactions to Music on the
Basis of Similarity Structure and Information Theoretic Measures of the Sound
Signal”, AAAI Fall Series Symposium on Style and Meaning in Language, Art,
Music and Design, 2004, Washington, D.C
32. Ben-Shalom,
S. Dubnov, “Optimal Filtering of an Instrument Sound in a Mixed Recording Using
Harmonic Model and Score Alignment”, Proceedings of International Computer
Music Conference, November 2004, Miami.
33. S.
Dubnov, T. Apel “Audio Segmentation by Singular Value Clustering”, Proceedings
of International Computer Music Conference, November 2004, Miami.
34. S.
Dubnov, “Spectral Anticipations”, Proceedings of International Computer Music
Conference, November 2004, Miami.
35. P.
Xiang, S. Dubnov, "Kaaraoke System with Spatial Acoustics Estimation for
Vocal or Instrumental Removal", Proceedings of International Computer Music
Conference (ICMC), Barcelona, 2006.
36. S.
Dubnov, G. Assayag, "Improvisation Planning and Jam Session Design using
concepts of Sequence Variation and Flow Experience", in Proceeding of
Sound and Music Computing (SMC'05), Salerno, 2005.
37. Deutsch,
D., Dooley, K., Dubnov, S., Henthorn, T. and Wurden, A. Pitch circularity
produced by varying the amplitudes of odd and even harmonics. Journal of the
Acoustical Society of America, 2005, 118, p.1949