Autoduplicity is an exploration of music for bodies and speech - our shared instruments - and investigates how these ordinary sounds can be transformed into powerful musical ideas reflective of the human experience. The program also probes themes of blurred identities and realities, questions of sanity, the movements of our bodies, and the rhythms of our speech.
Featuring:
Peter Ablinger’s Das Wirkliche als Vorgestelltes (The real is imaginary)
Jackson MacLow’s Asymmetries 94 and 259
Mayke Nas’s Digit No. 2
Vinko Globokar’s ?Corporel
Samuel Beckett’s Footfalls
Performed by Jennifer Bewerse and Rachel Beetz.
Grad Forums provide an outlet for Music Department graduate students to present individual and collaborative works on their own terms.
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